![]() ![]() Her first lead role, at 14-years-old, was with producer Kidar Sharma when he cast her opposite Raj Kapoor in Neel Kamal (1947). ![]() It was Devika Rani, founder of Bombay Talkies who gave her the title Madhubala, meaning "a girl of honey". She starred in several successful movies in the 1950s and early 1960s, many of which have attained a classic status. Young Mumtaz entered the movie industry at the age of nine in order to provide help for her family. After Madhubala's father, Ataullah Khan, lost his job at the Imperial Tobacco Company in Peshawar (Pakistan), he relocated his family to Delhi and then Mumbai where they faced many hardships including the deaths of her two brothers at ages five and six. Madhubala ( मधुबाला), was born to a conservative Muslim family named as Mumtaz Jahan Begum in New Delhi, India on 14 February 1933. He moved to Bombay when Roop Kumar Shorey, a producer for whom Vinod had previously composed songs, brought his team there. He composed music for the 1949 film Ek Thi Ladki, which, along with the song Larra Lappa Larra Lappa Layi Rakhda, Addi Tappa Addi Tappa Layi Rakhda became successful. Vinod started composing songs for films in 1946. The lovers of Punjab and Punjabi language, bow their heads before Vinod for all the great musical compositions he has given to his mother-tongue. While the film did not do well in Pakistan, the music of the film did a decent business. Those were the days of tension on both sides of the Radcliffe line. Vinod gave Lata Mangeshkar three songs to sing. It was made in India after 1947 for which Pushpa Hans and Shamshad Begum lent their voices. However, Chaman could not be taken up due to communal tension in Lahore. But the selling of its music even in Pakistan did quite a decent business.īy 1946, he had started composing music for a number of films, including three Hindi films and a Punjabi film Chaman. ![]() Those were the days of extreme communal tension on both sides of the Radcliffe line in Punjab, as a consequence after its release the film did not do well in Pakistani Punjab. Incidentally Lata's all three numbers became landmark songs not only for this film, but for other Punjabi films to follow. Lata Mangeshkar was a new find, looking for work and Vinod gave her three songs to sing. He had obtained lessons in composing film music from Late Pandit Amar Nath, had studied to the music of Master Inayat Hussain and learnt as to how Ghulam Haider was composing the preludes and interludes for his tunes. he was very creative, who produced some of the most soul stirring tunes, but he never got what he deserved in life and in death. His real name was Eric Roberts but for the film industry he chose a more familiar name Vinod. ONE of the most talented music directors that Punjab has produced was Vinod. Born in Phagwara, Punjab, he learnt Hindustani classical music from Master Ratan of Sham Chaurasia gharana. He was awarded the Padma Shri by Government of India, in 2004. is sung by Purshottam Das Jalota - Indian classical and devotional music singer, best known for his bhajans. She requests him not leave her but he does not listen.Īfter a couple of years, her husband’s affair ends, and he returns back to her. She went to the city in his search and discovered her husband’s relations. He went to another city for work and got entangled with another woman. ![]()
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